Cordkillers 154 – In Bed! (w/ Jeff Cannata)

Why Netflix is killing it, Esquire network blazes a trail, why more people are using antennas.

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CordKillers: Ep. 154 – In Bed! 
Recorded: January 24 2017
Guest: Jeff Cannata

Intro Video

Primary Target

  • Netflix added a record 7 million new subscribers last quarter
    – Netflix announced it earned $0.15 per share in Q4 with sales of $2.48 billion. Analysts had expected earnings per share of $0.14 and revenue of $2.47 billion. Notably the company saw very strong growth in subscribers across all markets. In the US, 2 million new subscibers were added in Q4, with 5 million added internationally. This well exceeded analyst expectations of 1.38 million and 3.78 million, respectively. The company has focused on adding international content that can travel across regions to continue this growth, like the original Brazilian series 3%, as well as Japanese anime and Turkish dramas
  • Netflix predicts HBO will let you binge new shows online before they air on TV
  • Netflix’s global domination plans find a US fanbase
  • Netflix is so big that it doesn’t need net neutrality rules anymore
  • A buyer’s primer on who’s NOT subscribing to Netflix
  • Netflix is killing it
    – Reed Hastings in shareholder letter cited an unconfirmed report about the BBC ““The BBC has become the first major linear network to announce plans to go binge-first with new seasons, favoring internet over linear viewers. We presume HBO is not far behind the BBC.”
    – Netflix CCO Ted Sarandos “We’re seeing as we’re adding more and more global shows that it’s rising all boats across the world,”
    -“Weakening of US net neutrality laws, should that occur, is unlikely to materially affect our domestic margins or service quality because we are now popular enough with consumers to keep our relationships with ISPs stable.”
    -“On a public policy basis, however, strong net neutrality is important to support innovation and smaller firms.”  
    – A UBS study of US non-subscribers to Netflix
    – 2/3 older than 55
    – 3/5 have HH income below US median, also small HH of 1 or 2 perople
    – Slower on technology adoption
    – The report notes that adding Netflix as part of a cable bundle is more likely to convert this group into subscribers

How to Watch

What to Watch

What We’re Watching

Front Lines

Dispatches from the Front

Hi Tom/Brian – I just wanted to share the results of an experiment I was conducting to see if I could start using Amazon Prime video more than I was because I mostly forgot it was there.

Well TLDR; No. Their UX on both Roku and the Web is still terrible. When I stop watching the UHD version of the Grand Tour on the Roku and try to continue on the laptop it doesn’t continue from where I left on the Roku. Because Amazon tracks the UHD and the HD versions separately. Seriously!!! Also I rented 3 movies during their 99 cent rental offer and couldn’t find them on any screen. I had to search for them movies and then it showed that I had rented them. Also the UX is terrible to figure out which are paid and which are free on Prime.

When I discussed this with a few colleagues and friends, I found I wasn’t the only one struggling. So I guess amazon which is so brilliant in shopping UX needs a lot of work on the streaming part. I love a lot of the work they are doing but definitely need to ramp up the UX. For now I am back to itunes and Google Play for renting. But I assume Apple will run into this when they plan on launching their streaming service.

Thanks,
Josh

 

 

 

Hey guys,

I love the show and I am a Patreon contributor. I have a question. What apps would you recommend that show where to stream a movie or tv show?

Thanks again for the show. I cut cable October 2015 and I haven’t missed it. My wife was the reason I didn’t do it sooner but she was tried of Comcast issues and agreed to try. We agreed to cut cable for a month without actually dropping the cable. We disconnected the TVs and hooked up an OTA antenna. After two weeks my wife said she didn’t miss cable and we dropped Comcast.

We use Netflix, Acorn TV and Tablo with the antenna. We use a combination of Apple TVs and Roku on 4 TVs. I like Apple better and my wife prefers Roku. I use SideReel to track my shows at Tom’s recommendation. We have used Sling TV, PlayStation Vue and Dirrectv Now. Of the three, I like PS Vue the best but I will try Hulu’s new service we it comes out.

Sincerely,
Elvin

 

Hello wonderful employees!

I meant to write in some time ago about this subject, but just never got around to it.

The reason that Amazon didn’t release Grand Tour all at once is because they’re still filming!
This screen grab is from E! following the production team of GT around the Hollywood Hills, Wednesday, January 18, as they film elements for what’s possibly the season finale on February 3rd. According to WikiPedia, “it was announced that the final studio filming location will be Dubai in December 2016.[25].”

So there’s your answer, they’re still not done! However, they’re going straight into filming series two, so maybe that would be release Netflix-style.

Love the show, gents. Keep up the great work!

 

 

 

Thanks for recommending Movies With Mikey I love his review style, and his review of The Force Awakens changed my mind about the movie. When I saw it all I could see was all the fan service BS like “oh look it’s Death Star 3.0 this time it’s bigger”. Mikey revealed done of the underlying plot that I totally missed.
Love the show
Your boss
Matt

 

Hey guys,

Heard your positive sounding coverage of the Anime Strike launch on Amazon. Always cool to see the anime streaming services get a little Cordkiller love. Wanted to drop you a line and hip you to some details about that service you may not be aware of. You’re right, anime fans tend to be a pretty passionate bunch, but we’ll get back to that later.

99% of the offerings on Anime Strike is content that’s readily available through other channels. There’s really nothing particularly special about most of the content it offers other than their “curation.” No doubt some of it was previously available on Amazon Prime.

But there is *one* thing that is special.

There is a programming block on Fuji TV called Noitamina (animation spelled backwards). Every broadcast season, it airs one weekly half-hour episode show. The content on that block is aimed at an older audience, and an audience that might not be your standard issue “anime fan.” Think drama, not Dragonball. And the content that airs on Noitamina, while not infallible, is generally considered to be a cut above by a lot of anime fans. Many folks will check out any show that airs on that block, even if it doesn’t appear to be their cup of tea. “Noitamina show” is a phrase that people recognize.

And Amazon signed a deal with Fuji TV to be the exclusive streaming distributer of simulcast content that airs on that block a few seasons back.

So essentially, Anime Strike is merely Amazon holding a single show, of well-regarded content, hostage for five dollars a month, every season. On TOP of an Amazon Prime membership. Compare that to the seven dollars a month for a Crunchroll membership – where you can watch literally *everything else* that is simulcasting (plus a large library of things you *can’t* see other places).

There is no value add to Anime Strike. It’s a very old-media, consumer-hostile, balkanization maneuver.

Y’all are correct – anime fans are a pretty passionate bunch. Moreover, they’re pretty savvy about streaming services too. And the naked cynicism of what Amazon is doing with that service is readily apparent. I assure you, Anime Strike enjoys absolutely no good will in western anime fandom. People are going to continue paying Crunchyroll (a company that enjoys a *great deal* of consumer good will) their seven dollars a month, and torrent the single Noitaminia show. That’s what’s going to happen.

That isn’t intended to be justifications for piracy, just pointing out the reality and economics of the situation.

Cheers guys,

Monte

Links

2016 Winter Movie Draft
patreon.com/cordkillers
 

#279 – Myke Cole, Man Hunter

Person hunter, really! He’s an equal-opportunity ass-kicker. Author and fighter of crimes, Myke Cole, tells us how he got involved in the new CBS show Hunted! And, what Sam Sykes has to do with any of it.

DTNS 2951 – A Medium level of Credibility

Logo by Mustafa Anabtawi thepolarcat.comWhy the Note 7s exploded, Google commits to Google Voice, and why we credit Facebook with things.

MP3

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Multiple versions (ogg, video etc.) from Archive.org.

Please SUBSCRIBE HERE.

Follow us on Soundcloud.

A special thanks to all our supporters–without you, none of this would be possible.

If you are willing to support the show or give as little as 5 cents a day on Patreon. Thank you!

Big thanks to Dan Lueders for the headlines music and Martin Bell for the opening theme!

Big thanks to Mustafa A. from thepolarcat.com for the logo!

Thanks to our mods, Kylde, TomGehrke, sebgonz and scottierowland on the subreddit

Show Notes
To read the show notes in a separate page click here!

Daily Tech Headlines – January 23, 2017

DTH_CoverArt_1500x1500Samsung descriobes what caused Note 7 fiasco, Sprint buys part of Tidal music service, SEC investigates Yahoo.

MP3

Please SUBSCRIBE HERE.

Follow us on Soundcloud.

A special thanks to all our supporters–without you, none of this would be possible.

If you are willing to support the show or give as little as 5 cents a day on Patreon. Thank you!

Big thanks to Dan Lueders for the theme music.

Big thanks to Mustafa A. from thepolarcat.com for the logo!

Thanks to our mods, Kylde, TomGehrke, sebgonz and scottierowland on the subreddit

Show Notes
To read the show notes in a separate page click here!

DTNS 2950 – Troubled by Nosy Apps? Meitu.

Logo by Mustafa Anabtawi thepolarcat.comIn light of the popular but info-hungry Meitu app, why do devices ask for so much info and what’s the harm? Also Note 7 details coming.

MP3

Using a Screen Reader? Click here

Multiple versions (ogg, video etc.) from Archive.org.

Please SUBSCRIBE HERE.

Follow us on Soundcloud.

A special thanks to all our supporters–without you, none of this would be possible.

If you are willing to support the show or give as little as 5 cents a day on Patreon. Thank you!

Big thanks to Dan Lueders for the headlines music and Martin Bell for the opening theme!

Big thanks to Mustafa A. from thepolarcat.com for the logo!

Thanks to our mods, Kylde, TomGehrke, sebgonz and scottierowland on the subreddit

Show Notes
To read the show notes in a separate page click here!

Daily Tech Headlines – January 20, 2017

DTH_CoverArt_1500x1500Popular Meitu app wants a lot of your data, An ebook store comes to Windows 10 preview, What Samsung found caused the Note 7 fires.

MP3

Please SUBSCRIBE HERE.

Follow us on Soundcloud.

A special thanks to all our supporters–without you, none of this would be possible.

If you are willing to support the show or give as little as 5 cents a day on Patreon. Thank you!

Big thanks to Dan Lueders for the theme music.

Big thanks to Mustafa A. from thepolarcat.com for the logo!

Thanks to our mods, Kylde, TomGehrke, sebgonz and scottierowland on the subreddit

Show Notes
To read the show notes in a separate page click here!

DTNS 2949 – FB doesn’t want you to RT

Logo by Mustafa Anabtawi thepolarcat.comThe US NHTSA finds Tesla does not need to recall it’s Autopilot driver assistance system. Should it have? Plus Facebook censorship accusations fly from all sides.

MP3

Using a Screen Reader? Click here

Multiple versions (ogg, video etc.) from Archive.org.

Please SUBSCRIBE HERE.

Follow us on Soundcloud.

A special thanks to all our supporters–without you, none of this would be possible.

If you are willing to support the show or give as little as 5 cents a day on Patreon. Thank you!

Big thanks to Dan Lueders for the headlines music and Martin Bell for the opening theme!

Big thanks to Mustafa A. from thepolarcat.com for the logo!

Thanks to our mods, Kylde, TomGehrke, sebgonz and scottierowland on the subreddit

Show Notes
To read the show notes in a separate page click here!

GUEST POST: The Real Reason Game Dev Jobs are Disappearing

Paul is a game developer who does not speak on behalf of his company, so we’ll just all call him Paul, OK?

In reference to the story a few days ago, concerning the shrinking video game industry, I wanted to write in with a few observations based on my almost 15 odd years of experience making games for a living.

This is going to be pretty long and I do not expect it to be read on the show or anything, but I thought you might be interested in some of the trends I have noticed over the last 5 years or so.

I believe the recent drop in developer jobs is just a side effect of several changes, or perhaps adjustments, being made because of some over some over-optimistic policies that have been in practice for the last 5-10 years.

Throwing large teams of people at a project has begun to reach a point of diminishing returns, it does very little good to spend $%100 million on a game if that means the game has to sell $20 – #$50 million to break even.

This almost sunk Crystal Dynamics in 2013 with Tomb Raider, which was a great game and sold great, but just not crazy great. Similarly, Bioshock Infinite, more or less resulted in Irrational Games closing down. There is much more to both examples, but for the sake of brevity, Huge budgets are now mostly reserved for guarantied hits, such as Call of Duty, or Grand Theft Auto.

As a result, most mid-range developers have scaled back their hires, and begun contracting out many aspects of their games to keep budgets at relatively reasonable numbers, and only the most talented developers get kept long term.

Game Publishers are trying to be Hollywood.

In Hollywood, no one plans on staying on the same show forever. Everyone is more or less a contractor, from grips to directors. Movie Studios make money by covering the odds, 5 duds one Hit, etc. Production groups are fluid and form and disband like smoke, so no one thinks twice about it.

In the game industry this same pattern is becoming normal, with big Publishers like 2K and EA, just hiring small studios to make a project. If it does well they might have them make the sequel, but that’s not even a guarantee. Working at a studio that does work for the bigger companies is pretty much now just contract labor. As one of your listener wrote in last week, three years is a long haul in most game studios, particularly in the LA, San Francisco and Seattle Areas.

Cheap Labor

Game development has become “cool”, kind of like acting. There is an endless stream of developers, mostly young, trying to get into the industry. Most of them work for cheaper then someone that has been doing it for 10 years or so. Since most games are being made by newly-assembled teams, if a less experienced person is available for less money, and can do 90% of the work, half your team might end up being new developers.

Veteran developers either rise to be the cream of the crop and get relatively secure positions or realize that they can’t stand the insecurity and overall pressure and move to other industries. I have seen this happen regularly, but it seems to be spiking now. I’m not sure why, but I just think we have reached some sort of saturation point, I can say at 47 I am the oldest person at my studio aside from the CEO that is involved in game development.

Mobil gaming bubble

With the rush to Apps of all kind there has also been a huge push to make game for mobile, and most mobile games never even come near recouping their expenses.

For a while big developers were pushing into mobile big time, and at the same time some of the mobile-first companies were growing at irresponsible rates. Look at Zynga HQ in San Francisco which may have set some sort of record for the most hires in a year, to turn around and let most of those people go a year later. King is having some of the same problems, but at least they learned from Zynga, and did not go quite as crazy. Mobile Developers have learned that their best bet is to do tons of small projects with very small teams, and hope one of them “wins the lottery” as we call it.

In short there was a big boom in hires for mobile, but that time is over, and many of the developers hired into this bubble, have either migrated to more traditional studios, or left the industry for none game development jobs.

Experienced developers and artist cost more money

While on the one hand we have studios stocking up on cheap labor, many studios, especially smaller ones, have found that one veteran developer may be worth 2 or 3 new hires. This often means not hiring new people, or even laying off the less skilled employees to retain the Veterans.

As I pointed out above, developers who stay in the industry 7-10 years are rare, and often very talented. As the industry matures, the pool of these developers grows, and studio heads sometimes think, “All I really need is these 3 or 4 people” we can just contract out the rest. This results in less full-time jobs.

I could go on and on, as we put a lot of thought into these things, but this is already long enough. Hope this sheds a bit of light on the industry, at least from my perspective. I will say I don’t know if the study from last week included Contractors, if not then the numbers may not have shrunk quite as much as they assert. But I will say that most contractors, eventually leave the industry as well, (In my experience) in search of more stability.

– Paul

Daily Tech Headlines – January 19, 2017

DTH_CoverArt_1500x1500Oracle sued by the US Department of Labor, robotic food delivery trials, and Slack gets threaded messaging.

MP3

Please SUBSCRIBE HERE.

Follow us on Soundcloud.

A special thanks to all our supporters–without you, none of this would be possible.

If you are willing to support the show or give as little as 5 cents a day on Patreon. Thank you!

Big thanks to Dan Lueders for the theme music.

Big thanks to Mustafa A. from thepolarcat.com for the logo!

Thanks to our mods, Kylde, TomGehrke, sebgonz and scottierowland on the subreddit

Show Notes
To read the show notes in a separate page click here!